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Sunday, April 1, 2012

April 1st - Deeep & Vin duo performance


april news
OKAYPLAYER.com (questlove) & Swiss Chris present




SUN APRIL 1st
Sun Sessions: Vin Scialla & Deep Singh
(TxT) Tabla x Trapset

@Bamboo, nyc
*sunday sessions*
8:30pm
Vin Scialla & Deep Singh duo Tabla x Trapset, then Los Rakas, Bajah & DryEye, Swisschris, dj gravy, dj johnnyjuice, more.
dont miss it!
youtube link:
http://www.youtube.com/watch?v=qiTVModPc7c

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Tuesday, January 10, 2012

2012 Globaldrumfest NYC w/ Dafnis Prieto drum clinic and a world of drums...


Sun FEB 26th: Moreto be announced for the 1st annual globaldrumfest.com Free drum clinic event in NYC.
RSVP here and get up to date info on the festival: info@drumteacher.com

Saturday, December 17, 2011

Deep Singh and Vin Scialla Team up for Educational Clinics


Trapset times Tabla is the new (TxT) duo's educational project which they are bringing into schools and drum clinics. Deep and Vin perform regularly with Master musician, Snehasish Mozumder’s band called s.o.m. (album on Random Chance Records). more info via email: info @ drumteacher.com

Dafnis Prieto named MacArthur Fellow


NPR Article: http://n.pr/oN60Un

Video Link: http://bit.ly/taCqNA

Wednesday, August 31, 2011

Gadd is on Ave A for 2nights


Steve is performing with
Mikarimba featuring:

Mika Yoshida (marimba),
Steve Gadd (drums),
Eddie Gomez (bass),
Stefan Karlsson (keyboard).
Gadd on Ave A...aveamaria!

www.Dromnyc.com

Monday, August 22, 2011

Classical Riq Technique Michel Merhej *New Release - MelBay

Michel Merhej teams up with Nicole LaCorgne (editor), Vin Scialla (recorded the audio examples & prepared notated parts) to present the quintessential book on riq technique and playing riq within an ensemble. You can find it at www.amazon.com - http://amzn.to/nEiur6


Built around the life and teachings of master percussionist, Michel Merhej Baklouk, this book has been designed as a biographical tribute, a teaching manual, and a resource guide for anyone wishing to develop a deeper understanding of the role that percussion plays in Near Eastern Arabic music. This book differs from most technique manuals in that it includes historical information on about Arabic music as it pertains to the life and work of a single artist, Michel Merhej Baklouk. The book is composed of three parts: Introduction, Lessons, and Reference Information. Each part is written to stand on its own as well as fit with the whole so that readers can approach the book either as individual articles and lessons, or in its entirety, to be read from cover to cover. By presenting Michel's work in this way, we hope to appeal to a wider audience—percussion students at varying skill levels and from varying music disciplines and backgrounds, students of music and Middle Eastern studies, or anyone else interested in twentieth century Arab music and culture. The first part, Introduction, contains several essays about Michel's life, his teaching philosophy, pedagogical practices, musical aesthetics and performance practices. Although these sections may be read independently, they are also designed to help percussion students apply the book's lessons to their own playing and musical interpretations. The technical focus of this book is on the riqq; however, students of Arabic music (beginning through advanced) can adapt the practical exercises to gain mastery of the percussion instrument(s) of their choice.